Project
Junta
Editorial design
Art direction
Illustration
2026
The brief
Junta was started in 2023 by an architect and a structural engineer in Porto, and goes twice a year to about 1,100 subscribers in Portugal and Spain. It is paid for by those subscriptions and by four advertisers from the trade: formwork, precast, admixtures and steel. The first two issues were laid out in the printer’s own template, ads and articles alike, and most went into the recycling with the brochures they resembled. Issue 3 had to reach the printer by the end of January 2026.
The idea
Concrete is poured in one go wherever it can be, because a pause leaves a cold joint. We gave each issue the same rule. One line, drawn by hand, enters on the front cover and runs through every spread without lifting, through photographs, text and the four ads, then leaves on the back cover. Laid end to end, the pages make one long section through the issue’s theme, which is a hard thing to throw away.
Covers
One teal and nothing else: the issue number, the theme and the line where it enters. Bookshop copies of Issue 3 are teal; subscribers’ copies are white with the line in teal, so the people who pay first get the rarer cover.



The line
Drawn across 160 pages with a 0.5 mm technical pen by Paulo Viana, an architect in Porto, then scanned and placed spread by spread. Where it crosses a photograph it turns white; where it meets a column of text, it waits in the margin.



Pages
Grey uncoated paper at 100 gsm, chosen because it takes a pencil note. Text is set in Leitura from DSType, a Porto foundry, at 12 on 17 points, large enough to read on a site table at arm’s length.



The drawings supplement
Each issue carries a supplement on unbleached kraft: the drawings of one building at 1:50, folded once to A4. It’s the part readers take to site, so it’s printed on a stock that survives a van.



What changed
Issue 3 came out in March 2026, the first in the new design, and is the first Junta stocked in bookshops in Porto, Ghent and Madrid. The four advertisers now send their pages in a grey template we drew for them, which is why the line can run through the ads without anyone minding.
Credits
Okapi: Tomás Reis (lead designer), Beatriz Correia (editorial design), Ana Pires (paper and print)
Junta: Miguel Barros (editor), Leonor Antas (co-founder and structural engineer)
With: the line drawn by Paulo Viana, Porto; printed in Porto on uncoated stock
