Work

Packaging for a delivery-only cake bakery, where every box says what’s inside in one huge word.

An identity, a twice-yearly magazine and receipt folders for an accounting app whose customers hate paperwork.

An identity for a bridge engineering practice, drawn from the section of a steel beam and the red primer it arrives in.

Cups, carriers, bags and menus for a coffee bar where everyone orders by colour, and the matcha sells out by noon.

An identity and launch kit for a video editing app, built on the one thing an editor does all day: the cut.

Packs for freeze-dried hiking meals, numbered by the day of the trail and coloured by the time you eat them.

Identity, merch and launch kit for an indie studio’s first game, a winter spent keeping a lighthouse lit.

A specimen series for a glassworks: every jar and bottle shown full, labelled with nothing but its capacity.

Takeaway packaging for a delivery kitchen: stock kraft boxes, and one printed band per menu.

One label system for fourteen clay skincare products, a pale colour for each skin type.

Pocket walking guides whose covers are the walk itself: one route line, drawn from the real track.

A website and checkout for groceries from market stalls, built around how people shop on a Sunday morning.

A website and booking flow for a group of physio clinics, starting from the question every patient arrives with.

A savings app that counts in shifts, not months, for couriers, baristas and warehouse staff.

A bath and body range whose labels say plainly what is inside, shot in the salt pans where the salt comes from.

A photo editing app built for foldable phones: the picture on one half, the tools on the other.

The app a building contractor runs its sites on: drawings on a tablet, snags and deliveries on the phone, every site on one page in the office.

A quiet identity for a cork furniture maker, printed in one cork-oak green and marked with the rings of the bark.

Labels, boxes and samples for a fountain-pen ink maker, with every bottle wearing a swatch of the ink inside it.

A portfolio site for a garden designer, where every garden opens on one photograph with its planting list beside it.

A loud identity for a conference about walking in cities, built on the one street marking everyone stops for.

A running app that plans your week around the days you can actually train, and the launch film for it.

An identity for a cast-iron cookware foundry, heavy enough to be cast into the pans themselves.

Booking for barbershops: a site for every shop, a chair grid at the counter, and the day on every barber’s phone.

The campaign for a beach kite festival, built on one diamond kite that flies from billboards, flags and wristbands.

An identity for a cooperative of interpreters, built on a wordmark whose o is split between two colours, the way every job is split between two languages.

Photographs for a print shop that sells every print with a frame painted in one of its own colours.

A wordmark that fits every shape a sticker printer sells, photographed on the jars, envelopes and windows its makers stick it on.

A twice-yearly magazine for architects who build in concrete, designed to be kept rather than recycled.

The season’s merch for a 3x3 basketball league in Ghent, with the house rules printed across the back.

An identity for a risograph print studio, where every card shows what two inks do when they cross.

An Android app that holds back notifications until you ask for them. Setup went from nine steps to three.

Signs, banners and wayfinding for an art centre in a former textile mill, where a stitched line leads to the next room.

A dashboard for landlords with a few flats each: every flat is a door, red only when the rent is late.